Magic Realisms
Pyke Koch and Cagnaccio di San Pietro

Exhibition - from saturday 12 apr 2025 | to sunday 31 aug 2025

  • Pyke Koch, "Het Signaal" (Il segnale), 1975, Collection Museum MORE, Gorssel & Ruurlo (NL)

    Pyke Koch, "Het Signaal" (Il segnale), 1975, Collection Museum MORE, Gorssel & Ruurlo (NL)

  • Cagnaccio di San Pietro, "Contemplazione", 1929, Collezione della Fondazione Cariverona

    Cagnaccio di San Pietro, "Contemplazione", 1929, Collezione della Fondazione Cariverona

  • Cagnaccio di San Pietro, "Donna allo specchio", 1927, Collezione della Fondazione Cariverona

    Cagnaccio di San Pietro, "Donna allo specchio", 1927, Collezione della Fondazione Cariverona

  • Cagnaccio di San Pietro, "Primo denaro", 1928, Collezione privata, Venezia-Portovenere

    Cagnaccio di San Pietro, "Primo denaro", 1928, Collezione privata, Venezia-Portovenere

  • Pyke Koch, "Portret Jkvr. J.C. van Boetzelaer II (Ritratto di Jkvr. J.C. van Boetzelaer II)", 1960, Museum MORE, Gorssel & Ruurlo (NL)

    Pyke Koch, "Portret Jkvr. J.C. van Boetzelaer II (Ritratto di Jkvr. J.C. van Boetzelaer II)", 1960, Museum MORE, Gorssel & Ruurlo (NL)

  • Pyke Koch, "De schiettent (Tiro a segno)", 1931, Collection Museum Boijmans Van Beuningen, Rotterdam. Gift Friends of the Museum

    Pyke Koch, "De schiettent (Tiro a segno)", 1931, Collection Museum Boijmans Van Beuningen, Rotterdam. Gift Friends of the Museum

  • Cagnaccio di San Pietro, "Natura morta con aragosta", 1938, Collezione privata, Venezia-Portovenere

    Cagnaccio di San Pietro, "Natura morta con aragosta", 1938, Collezione privata, Venezia-Portovenere

  • Cagnaccio di San Pietro, "Autoritratto", 1938, Fondazione Musei Civici di Venezia, Galleria Internazionale d'Arte Moderna di Ca' Pesaro

    Cagnaccio di San Pietro, "Autoritratto", 1938, Fondazione Musei Civici di Venezia, Galleria Internazionale d'Arte Moderna di Ca' Pesaro

  • Pyke Koch, "De grote contorsioniste (Parade de cirque) (La grande contorsionista. Spettacolo circense)", 1957, Stedelijk Museum Amsterdam

    Pyke Koch, "De grote contorsioniste (Parade de cirque) (La grande contorsionista. Spettacolo circense)", 1957, Stedelijk Museum Amsterdam

  • Pyke Koch, "Rustende slaapwandelaarster IV (Sonnambula che riposa IV)", 1971, Museum MORE, Gorssel & Ruurlo (NL)

    Pyke Koch, "Rustende slaapwandelaarster IV (Sonnambula che riposa IV)", 1971, Museum MORE, Gorssel & Ruurlo (NL)

When
from saturday 12 apr 2025 | to sunday 31 aug 2025
Cost
General admission €15, discount admission €10 (ticket valid for all current exhibitions)
Credits
From an idea by Vittorio Sgarbi. Curated by Beatrice Avanzi
Where
Mart Rovereto
Type
Exhibition

The Mart is presenting an unprecedented comparison between two of the greatest protagonists of Magic Realism, a movement that spread throughout Europe from the early 1920s: the Dutch Pyke Koch and the Italian Cagnaccio di San Pietro, already well represented in the Mart’s collections and exhibitions. This exhibition is the brainchild of the president, Vittorio Sgarbi, and is curated by Beatrice Avanzi.

 

One hundred years after the advent of Magical Realism (a definition coined by the art critic Franz Roh in 1925), the dialogue between Pyke Koch and Cagnaccio illustrates two of its most fascinating variations, documenting its international reach.

The exhibition highlights the common features between the two artists’ works, within their respective, distinct and profoundly original approaches. In fact, both created a rigorous realism displaying extraordinary technical skill, inspired by 15th-century masters, and particularly those from Northern Europe. Both Koch and Cagnaccio preferred to depict humble people and environments, often with obvious social implications. The life scenes portrayed by the two painters share a clear, incisive vision, at times painful, at times ironic, with the power to catch the eye and reveal profound and hidden truths, on first glance.

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