Piero Guccione and Achille Perilli. On the borders of abstraction

Exhibition - from thursday 21 oct 2021 | to sunday 09 jan 2022

  • Achille Perilli, "La contemplazione di una evidenza", 1967, tecnica mista su tela, Mart, Collezione VAF-Stiftung
    Ph. Mart, Archivio fotografico e Mediateca

    Achille Perilli, "La contemplazione di una evidenza", 1967, tecnica mista su tela, Mart, Collezione VAF-Stiftung

  • Piero Guccione, "Balcone", 1964, olio su tela, Collezione Mario Garbarino

    Piero Guccione, "Balcone", 1964, olio su tela, Collezione Mario Garbarino

  • Piero Guccione, "Il grido della luna", 2000, Collezione privata

    Piero Guccione, "Il grido della luna", 2000, Collezione privata

  • Achille Perilli, "L'unione dei contrari", 1959, Mart, Collezione VAF-Stiftung

    Achille Perilli, "L'unione dei contrari", 1959, Mart, Collezione VAF-Stiftung

When
from thursday 21 oct 2021 | to sunday 09 jan 2022
Cost
General admission €11, discount admission €7 (ticket valid for all current exhibitions)
Credits
From an idea by Vittorio Sgarbi and Lorenzo Zichichi. Curated by Marco Di Capua and Daniela Ferrari
Where
Mart Rovereto
Type
Exhibition

An original comparison of two artists who were active during the second half of the twentieth century: Piero Guccione (1935 - 2018), the painter whose works drew attention to the dimensions of light and the sea, and Achille Perilli (1927 - 2021), a promoter of purely abstraction. A focus on colour and form.

Deeply linked to his native Sicily and at the same time acclaimed and admired throughout Italy, Guccione spent a period of his life in the Roman neorealist ambiance of Fausto Pirandello, Renato Guttuso and Carlo Levi. Achille Perilli was a member of the Forma 1 movement which, in the early post-WWII period advocated the value of form as opposed to any possible interpretation of a symbolic, sentimental or psychological nature presented and rendered on the space of a canvas.
The artists followed their own preferred paths, however the individual styles that characterise their works remain closely linked to these early experiences. The painted works produced by Guccione, who returned to Sicily at the end of the 1970s, ventured above and beyond every artistic movement of that period, while those of Perilli tended to follow the path of a rigorous form of abstract depiction and reflect a search for lively, stimulating chromatic effects.

Piero Guccione and Achille Perilli

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